TenderFlesh wrote:Thanks Michelle for asking for input. It means a lot to me when a producer is interested in what their customers prefer. So, now, hope you aren't sorry for asking !!! I bought this film because I like shootings, because Bree is gorgeous, and because I liked her outfit A LOT. After buying and watching it I would not have done so if I had known that with most of the bullet impacts the viewer is looking at the back of Bree's head, missing her facial and body reactions to the impacts. This is a very important part of what I like about a shooting film and even the first shot to her chest her face is already "down" and you can't see her reaction. Regarding attention to detail after Sledge rolls her onto her back he is seen carefully adjusting her head slightly, which made no sense if trying to portray realism and then in later pans her head is turned to the side. For realism the body "pose" should stay the same unless someone is seen moving the body. On the plus side I enjoyed your pans, especially remembering to show her back and the exit wounds. One pan you might consider that I really enjoy is from the floor angle moving slowly up her body from feet to head and that pan would have been great if her head and death stare were to the side as it was in the last pose. I thought your placement of blood and amount was nicely done. OK, so be honest, are you still glad you asked for input? I hope so and will continue to watch your website for interesting new material. Thanks for caring about the customer. TF
Thanks TF! Of course, all comments and feedback are welcomed. How else would we learn what the public would and would not like to see? Here's what I have from you...
1. Focus on initial facial expression upon initial bullet hit ( I agree. We do have that in a lot of our other shooting sequences)
2. Watch editing for continuity during body handling (at least, I think that's what you mean?)
3. Floor angle body pan (I like that too... it shows a lot)
Ok... Noted!
