Othello's "Centerfold Strangle" new on Chris Corner

[Chris B]

THE CENTERFOLD STRANGLE

Starring: Traci w/ Damon

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THIS IS A CUSTOM PRODUCTION SCRIPTED BY “OTHELLO”, WHO BROUGHT US SEX AND MURDER LEAGUE, AND ALL OF THE POETRY KILLER SERIES. HE IS THE BEST, AND I AM PROUD TO DO HIS SCRIPT JUSTICE.



Damon is a photographer; he loves his favorite gentleman’s magazine, and the centerfold posters that they have. His favorite thing is to re create the centerfolds, then, strangle them to death and add the before and after photos to his collection. Traci is today’s appointment and does she look hot. When she walks in the room Damon stammers, but is still a smooth operator. He tells her to get dressed with the US flag jeans he had made to look exactly like the poster. She slowly strips, then climbs into the jeans. They fit perfect. Damon helps position her as authentic as possible to the poster. She abides, giving the perfect pose and smile to be just like the beautiful centerfold of September 72’.



After he goes through a roll of film, they notice they are attracted to one another, they start kissing and fondling, and it gets hot and heavy, he leads her to the floor where she sucks his cock so beautifully and wet. She sucks him for a while until he has had his fill and wants what comes next. For some it is sex, for him it is wrapping one of her stockings around her pretty neck and upright strangling her. He does just that. She is surprised and believes that it might just be for play, but then she realizes that is not the case. She starts to fight, slapping and punching him as much as she can, then clawing at the stocking digging deep into her neck. She is really going nuts on this strangle, tongue out, eyes wide with fear and panic. She goes hard, then slows down, still swaying and fighting. After she is done, he pushes her lightly so the body falls face forward to the floor.(In fact we see the fall from 5 different angles, then splat, she face plants to the floor.



Now he wants the pussy, so he picks her up off the floor and puts her on the table. He is really arouse, so he puts her ass up, and pulls the jeans down to her knees. He enjoys some fingering, licking, then sticks his hard dick in her pumping hard. He does her for a while then cums inside, we see the aftermath oozing from her snatch after he pulls out. He positions her on the table with the Centerfold on her back, snaps some photos, then turns her over on to her back, so we see her huge tits and dead stare. He then takes more pictures of her and her feet dangling off of the table.


THIS IS A GREAT CUSTOM. I MAY TAKE MY TIME WITH THEM, BUT I DO MY BEST DOWN TO EVERY DETAIL. THIS HAS ALL ELEMENTS THAT A STRANGLE OR POSTMORTEM FAN COULD WANT. I AM EXCITED TO DO MORE FOR OTHELLO INCLUDING A HIGHLANDER SERIES!

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[TenderFlesh]

I liked this film a lot. Traci just has a fantastic body and the whole story of the photographer having her dress just like the centerfold, shoot the photoshoot, then fool around with her before strangling her just has a nice, natural progression that ends very unnaturally for poor Traci. Just a nice storyline with a nicely filmed strangling. Thanks Chris

[Chris B]

Thanks so much Tenderflesh! You have been gobbling up my films as of late and I must say, I truly appreciate your support. I love that you are a shooter fan, but still go for the strangle, just to see what we have been up to, and what the next film is going to be. I have been spending lots of time in prep and editing and if it wasn't for my girlfriend and production assistant, it would only be mediocre. The man who commissioned this custom film wrote a review that I had to share with you. It is very humbling for me, here it is

"Over the past ten years, I’ve scripted and commissioned dozens of films for the death erotica genre, and like most who have explored that world, have had my share of both pleasures and disappointments. My rule on reviewing them is pretty simple. If a disappointment, I usually don’t go for any kind of public outing of the talents (or lack thereof) of the producer. These are people out there trying to make enough to feed their families, just like me. I won’t go back to them, but I leave it at that. Some filmmakers do good, fun work that is far from classic but entertaining anyway, and some I’ve encountered are exceptional (one of them being JohnM of PKF Studios, who has done many outstanding features from my scripts).

But what a writer (and unabashed sex/death fetishist) longs for, of course, is that remarkable film that goes beyond a fun and sexy diversion, and is truly special.

That takes me to Chris’ Corner’s The Centerfold Strangler.

My death fetish got hardwired into me at a time when niche films were something one could only dream of. The sexual material available were men’s magazines like Playboy and Penthouse, and the occasional mainstream movie, like Psycho or Frenzy, that provided shocks and delights of n*cro sexual excitement.

Hitchcock and Hefner…and some raw sex 2011 style. A concoction from a fetishist’s heaven.

The concept of the film is a psycho photographer who re-creates Playboy centerfolds to a minute degree, then seduces his model into consensual sex, and when she is completely impassioned, he strangles her, then has n*crosex with her corpse. Simple stuff, really.

But what goes so far, far beyond simple is where Chris took the concept. First and foremost, the model has to be hot. Not just sexy, but drop-dead fever dream sexy. One look at Traci in this film, and you won’t be disappointed. She has a Playboy-era body to die for, an expressive, sensual face, and what’s more, the woman can act.

Next, the props. I could not believe, until I saw it for myself, that Chris had the sexy American flag pants from the centerfold I chose (Miss September 1971) sewn and made specifically for the movie. Not only that, but the matching choker she wears. He then re-created the pose, the scene, and even the centerfold’s hair style! Unbelievable attention to detail.

I know there are death fetishists who like the sex in these films to be simulated (brief and suggested only), but what can I tell you? I like it explicit, hardcore, and raw. That’s exactly what you get here, as the photographer and model finish snapping pictures, and she gives him a luxurious BJ. More steamy fondling follows, and another thing that raises this film to a special height is the intensity of that torrid sex. Many models, let’s face it, go through the motions, and paste on a smile or overact through sex scenes. Traci seems totally into it, gasping, panting, and getting hotter and hotter (the fact that the man playing the photographer is her husband might have something to do with this).

Then comes what is the center of any death fetish film. The murder scene. First, I refer you to this description of the famous shower scene in Psycho.

From Wikipedia’s Psycho page: The murder of Janet Leigh's character in the shower is the film's pivotal scene and one of the best known scenes in cinema history. As such, it spawned numerous myths and legends. It was shot from December 17 to December 23, 1959, and features 77 different camera angles. The scene runs 3 minutes and includes 50 cuts. Most of the shots are extreme close-ups, except for medium shots in the shower directly before and directly after the murder. The combination of the close shots with their short duration makes the sequence feel more subjective than it would have been if the images were presented alone or in a wider angle, an example of the technique Hitchcock described as transferring the menace from the screen into the mind of the audience.

As I watched the strangle of Traci in The Centerfold Strangler, my jaw dropped. Hitchcock is alive and well, my friends, and his name is Chris Brown. Hitchcock had 50 cuts in his shower scene, chosen and crafted with perfection. There are no less than 61 cuts in the four and half minutes of the strangle (yes, I counted them). And they are also perfection: skillful, artistic scene-enhancing cuts, both powerful and sensual close ups and long shots, racheting up the intensity of the strangling by the second. As the film historian above relates, it literally transfers the sexual menace of the scene from the screen into the watcher’s mind (and body). The climax of the strangle, where the dead Traci topples from an upright kneeling position face down to the floor, has five camera angles all by itself. She goes over like a pure dead weight, tongue lolling, and I sincerely hope Chris had her land on cushions that he later edited out, because otherwise that had to hurt. Thoughout the film she had swayed and clutched and gurgled and leaned forward, actually stretching the nylon around her neck tighter. She is, of course, topless throughout, showing her magnificent figure.

Astonishing.

As if that is not enough, there is more explicit sex, of the n*cro kind with the centerfold’s body, followed by lingering, artistic body shots of the corpse.

I’ve been chasing the holy grail of the perfect sex strangle since the sixties, folks, and I finally got there. Brought to that high place by Chris Brown, and The Centerfold Strangler". Othello

[Ropehunterslair]

Very nice. I liked how this movie was shot. Very good film