How should I kill her?

[Bluestone]

She's a lovely young thing... in her mid twenties... dressed in tight low-cut top and mini-skirt. We are alone in the deserted house... and she doesn't know that I'm here. There's not another person within miles... so she can scream as much as she wants while I kill her... if I let her scream. The house is loaded with weapons... the absentee owner having been a collector of weapons, both modern and from past ages. There's even a guillotine in the basement, if I force her down there. She's approaching my hiding place. Quick! Tell me! How should I kill her???

[Nightposter]

My best answer would be:
Long and slow, using an assortment of the available weapons.

[LadyAsh]

Has to be a garrote, taking your time. Do you have the old garrote used for executions, that is so cool for an asphyxia lover such as me.

[nicknichols56]

Silenced pistol to lower belly...let her suffer.

[Bluestone]

Can you describe exactly what I should do, since I'm new to this killing thing... or at least the voice of this thread is. Here is an example of what I'm looking for, if you each want to write your paragraph of how this should go down...

Example --
She's oblivious to my presence around the corner as she approaches the kitchen. There's a steak knife on the counter. It is in my hand as she enters the room and catches my image with her peripheral vision. The blonde's beautiful face is frozen for an instant in terror, azure eyes open wide, glossy lips parted to emit a shocked gasp. I drive the blade into her stomach up to the hilt and she jackknifes forward with a feminine grunt. As her warm blood splashes onto my hand, I have an overpowering feeling of power, this erotic beauty completely under my power. My free hand seizes her by the hair pulling her back over the counter. Her lips are trembling, eyes pleading with me, her back arched over the counter forcing her breasts upwards like twin peaks, her deep cleavage so inviting. I hear another car pull up outside. It is her equally gorgeous roommate. I have to finish this one quickly. I lock my mouth over hers. To my surprise, she kisses back, probably expecting mercy. I jerk the knife free. Our lips part for a moment as she cries out in pain her hot, intoxicating breath washing over me. I glance downward as I position the blade under the risen hem of her mini-skirt, then I drive it up into vagina, lifting her stilettos off the floor with the force of the upward stab. Her mouth opens to scream. I cover it with my own, smothering her cries with my tongue. Her trim, hot thighs are rubbing furiously against my hand, lubricated by her flowing blood. It is better than the best sex that I have ever had, the hard, unyielding blade causing her body to orgasm wildly under my power. I hear keys jingling in the lock. I end our wild kiss and pull the blade free of her mound, raising it high into the air above her writhing body. I seize her by the throat, forcing her mouth open but strangling her cries. I drink in the terror in those widened azure eyes. Then, I drive the blade down with all my might, burying it up to the hilt into her cleavage. Sultry breasts press against my fist, hot blood flooding the sweet space between them. She is still alive, her body moving under me, her thighs wrapped tightly around my leg as she tenses before slowly going limp. I watch her die like a beautiful butterfly mounted on a pin. Her blue eyes fix into a death stare. I leave the knife embedded in her chest, sweep my arm under her limp legs, and lift her fully onto the kitchen counter. My hands greedily take a feel of those unmarred breasts, while blood that had been pooling in her cleavage flows down around her long, lovely neck. The door opens and a female voice calls out, "Jennifer? Are you home yet?" I wipe my bloody hands on Jennifer's top, and look for another weapon. How shall I kill this new victim?... --

That's what I had in mind. Each poster to describe how he/she would like me to kill the first, or now the second, victim.

Blue

[LadyAsh]

Oh, you want a story! Lost me there.

[TenderFlesh]

Blue, that killing was about as sexy and arousing as I can imagine AND I'M A SHOOTING KIND OF GUY AS YOU KNOW. Would you PLEASE kill the roommate for us too?

[Bluestone]

I thought I'd give someone else a chance to describe the roommate killing. Any takers?

Blue

[Nightposter]

I'll take a pass for now, too much on my plate.
Busy drawing of a contest over at Templar's place

[Sandi]

Add the garotte to the blade, and/or replace the blade with the bullet(s) to the lower belly while also adding the garotte, and it's a wrap, Blue. That type of 'stalking and killing an Innocent' is not my favorite, but I'm trying to answer within that 'type' of final 'mood' you seem to be after.

The 'type' of scene can indeed call for the 'large knife, lots of blood' effect; personally, I'd probably still opt for a slightly more 'gentle' overall scene, but that's just me. Oh, violent to be sure because that's the 'point', but maybe not as visually messy as a lot of 'cuts' might engender.

But adding a second 'Death Machine' object means she is being taken 'twice', or 'twice as hard', or something, symbolically. And this is a violent, TOTAL control and LOVE for the VIOLENCE scene from the eyes of the Killer. So I like both methods at once to be bringing her to even more frantic writhings and moanings.....and even more crashing final emotive emissions, more intense!

I don't have it 'in' me, so to speak, to write the paragraph....lol. Love the 'ooomph' and bending forward, that makes for a super screen shot of the IMPACT moment, facially and in terms of the midsection jerking to a penetration......then cut in there for your garotte-edit at that point.....if she's bending or bent over something, table or whatever, that's a perfect place to add the asphyx.

And IF your first penetration is good enough, Blue...or deep enough.....or, if one wishes, 'big' enough, then I'm sure you can get her to emote a reaction that indicates TOTALLY being 'taken' by just that first thrust, not a ton of resistance and 'fight', though of course there will be fierce body struggles. But I want to KNOW she is impacted DEEPLY with that first thrust, Blue.

If you need 'pointers' on 'impact of first thrust', I can help you to get a handle on that.

Or she bends forward into you....and further into the penetrator, of course, maybe leaning entire body weight against you, maybe becoming turned a bit as you work her around so you can garotte her from behind (you are permitted at this point any gratuitous contact between your pants and her ass, kept subtle of course but you are permitted to THINK such thoughts) with one hand as you continue to hold the penetrator inside her with your other hand.

I know that it 'takes two hands to handle a Whopper', but you'll have to do with one hand for each task here. She can even be holding that penetrator inside herself, all for you, Blue, as you slip the garotte around her neck from behind; she just holds it there and works it during her throes, until you also have the garotte in place and then can use one of your hands for each task....OR, of course, you can pull her INTO you further as you strangle her while she faces you....and naturally rides the blade up and down with each body struggle for breath and each frantic gurgle and each thrashing of what hopefully are beautiful legs.

It works well when those legs go up and down into the air, Blue. Almost can be considered like 'sex', for some. I think Ash can see that image just a wee bit.....since she uses it in every personal death scene she writes.....LOL!!!! Leg movements and 'reactions' tell mostly everything about a woman during sex, they can be wrapped around TIGHTLY and PULLING that Man into her (or other penetrator) or they can represent how absolutely and wantonly pleasurably out of control she is as they simply shiver and quiver and shake and bounce up and down and move every which way.

Such movements are probably good for this clip, Blue.

So while I'm not suggesting a porn-type level, I think you can add more imagination to your original paragraph by including the garotte. You CAN do two things at once, can't you, Blue? I mean, one thing with one hand for your Woman while you're doing another thing with the other hand for your Woman?

The key phrase, Blue, is 'for your Woman'.

And Women expect both of your hands to be 'all in'......all the time.

And tables are hard and good for some scenes, but I think you can use more imagination than that......a fancy marble kitchen counter-top with a huge double sink full of water, with water still running, a huge indoor flower bed.....LOL.....I don't know....a waterbed (not normally found in kitchens, but keep your eyes open, it may be a new trend!)

Or maybe she slips away from you, while still holding the blade her belly, or just her belly if it was a bullet...and staggers into another room,where she falls to her knees in weakness and you apply the garotte since she cannot resist....all while that blade remains inside.....and she moves constantly against it...in....and out....in...and out.....vewy subtle, Blue......I just never loved the 'slab' or 'table' image, but I have no clue if that is a better 'sell' for such a scene than some other 'object' to drape over. But all of this can take place in the kitchen, too, it's easier for your rookie Producers.....

Has to be something other than just YOU to drape over, Blue, of course. We can't have too many 'sticking points' in the same scene, you know.

Or maybe you don't know.

There is something very erotic (cannot understand why, of course...lol) about the female body draped over a lap or something while being garotted from behind, so her body moves up and down and up and down right INTO the camera; many interesting angles to film various aspects of her body and face in such a scene. A blade she is holding, and/or you are helping her to hold, within her as you pull tighter and tighter on her neck, this would also not be a bad thing. Again, I'm not saying to go 'too explicitly' far with the movements sexually, but I think you, as the Actress will, get the point.

How's that for not answering your question? Actually, it's not bad for a reply that does not answer what you asked!

I remain successful!

Sometimes, all I can do is to prick the imagination of my Man and let him floe from there. Other times I can lead the effort, but this time I'm just getting you into my floes......er, NO, I mean YOU into your creative flow, Blue.

And, as I have done in the past, Blue, I waive all normal Consultant fees for this project, it's all gratis.....or 'on me', so to speak.

'in' me, 'on' me, the only difference is the 'I' so I figure it's the same thing. One letter never matters much, right? I admit I once had an ego, I wore that scarlet "A" they gave me for years with pride, once I knew it stood for "Astute". Some said that in my case it meant 'Aphrodite' because of my astonishing beauty, but I'm much too humble to ever accept such platitudes.

But I loved that scarlet letter, never got so many looks in my Life as when I wore it, so I wore it every day!

And they say Blondes are bimbos....HA!



Sandi

[LadyAsh]

Yeah, what she said!

With lots of leg kicking (do I really do that? always have it in my personal demises? as though I'm having sex?) and thrashings as the girl expires.

[Sandi]

no, not always, just when you're making your demises particularly sexual in your descriptions.... When you think of 'losing it', losing control in a rather extended scene or more up-close-and-personal-scene, you probably write the demise emotions and movements a bit differently and are more likely to feel the leg twitchings. And a Male Killer probably increases the chances that you would describe the leg movements because that is more directly 'sexual' in many ways, as it is for me; when it's a Woman who gets you, it's the emotional loss and anger at losing and all of that, so maybe there aren't as many leg twitchings involved if the Killer is Female. I'd have do the research, and I won't....LOL!

Or, if you're mowed down by a machine gun or jerked every which way by six bullets delivered one right after the other, there won't be a lot of leg-twitching in your descriptions once you've hit the ground......lol. (you can think of all the scenes in which Sandi has quickly and efficiently dispatched you in that way, Perfect Killer as she is.......I'll try to think of one also.....LOL!!!!).

It's just a staple of 'many' Ash self-written death scenes when you're really making it a sexual depiction in larger part. I fully acknowledge that I misled on purpose by over-stating or implying how often you do it.

But I got to make my point....LOL.....and I like the imagery, as you know.

Because it does fit reactions during sex.....lol. It's just such a symbol of having surrendered it all.

Sandi

[TenderFlesh]

The door opens and a female voice calls out, "Jennifer? Are you home yet?" I wipe my bloody hands on Jennifer's top, and look for another weapon. How shall I kill this new victim?...

I quickly retreat to the well stocked gun cabinet and choose a Beretta Model 92 in 9 MM and check to see that the clip is loaded. Finding it full I rack a round into the chamber and sneak back to the kitchen door. Jennifer's sister, Emily, has just come into the house from the stables after riding her horse and is dressed in a tight fitting pair of riding pants, brown riding boots, and an extremely tight fitting cream colored crop top showing a flat, nicely toned tummy. She is looking for Jennifer in the family room and as she turns with her back to me I am impressed by her nice ass and her darkly tanned lower back which is firmly developed and I can tell this girl really takes good care of her body, the better for me to kill. Finally she comes into the kitchen and finds Jennifer's bloody body lying on the counter and suddenly goes on "alert" checking her surroundings and aware that danger lurks about. She checks Jennifer's carotid pulse and, finding none, reaches for the phone. I step from behind the door and command her to put the phone down. Without a moment’s hesitation she turns and races for the door running for her life. I must stop her so place a carefully aimed 9 MM round into her left leg about two inches below the cheek of her sweet ass. She reaches behind her and clutches the wound and falls hard face first onto the tiled floor. Still the strong survivor even though in obvious pain she immediately starts crawling for the door in a desperate attempt to get away from the source of her pain. I hurry to her side just before she reaches the door and fire my second bullet into her lower back in her spinal column which was nestled in a groove between her strong lower back muscles. She yelps in pain but immediately her attempt at escape is thwarted as the hollow point bullet does massive damage to the nerves along her vertebrae and her legs become useless. I kneel beside her and stroke my hand alongside her spine, feeling the muscles contracting as she writhes in pain and admiring the damage my weapon has inflicted on her supple young body. I lift under her pelvic bone and roll her onto her back and for the first time see her lovely face although it is now contorted in pain and her beautiful blue eyes seethe with hatred rather than love. Her long brown hair is fanned out over the white tile and I imagine how given different circumstances it may have been laid out on my pillow but, alas, that is not to be. She is breathing deeply and her ample breasts are heaving up and down and I realize I have a raging hard on but realize that with the gunshots that may have been heard I need to finish my fetish of killing this beautiful woman and escape. She queries, “Why did you kill my sister?” and I smile and simply reply “Because I could”. I abruptly stand up and fire three quick rounds into her vulva, navel, and right breast. Her body bucks with each round and her grunts of pain and agony push my arousal to a higher level. Blood is running freely from all three wounds soaking the fabric of her riding attire and she is breathing more rapidly as shock is setting in. Her eyes are wide and wild as her brain and body try to figure out how to react to the assault it has received. “Now it’s your turn to die my lovely” I say before firing one round into her left breast directly through her nicely defined nipple and then after her body has jumped from that impact I fire a final round directly into the valley between her breasts which passes through her sternum and directly through the left ventricle of her heart. Her body stiffens and seems to stretch from head to toe and then relaxes and her once pretty eyes become fixed with a sleepy stare into nowhere. I start to leave through the nearby door but stop, kneel down and kiss her softly on her lips and whisper, “I wish we might have met under different circumstances” and walk through the door and away from the murder scene.

[Bluestone]

Very HOT! Thanks, TF!

Blue

[arthur13]

First you start to strangle her. Then you put a noose around her throat and start to hang her. As she is hanging, you shoot an arrow into her stomach. Then you stab her in her left breast. Finally, you shoot her in the heart. One victim, kiiled by the five most common methods. This is a long-time fantasy. I have never seen it done, and I would very much like to see it done.