Retirement
Posted: Sun Jun 16, 2013 1:52 pm
It is with a great sense of disappointment that I must tell a wonderful set of loyal fans that I have decided to dissolve my Grey Panther Films partnership with Hank Samuels and retire. Making these short films is actually a lot of hard work, mixed with some good fun and enjoyments, of course.
But these days there are so many producers putting out so much product that it is hard to get the volumes of sales on individual productions needed to cover the costs when you're a junior partner, the biggest one being the 40 cents out of every dollar that NicheClips takes. (Genre Videos is much more positive for the producers, but their volumes are just at the beginning of the market curve right now. Support Blue's venture in every way you can, folks, because it puts a lot of extra cash into the hands of the producers who will turn it into better films.)
I must admit that co-producing, directing and editing was a labor of love in many respects, which is why I tried to emphasize the quality of story, wardrobe, acting and special effects in the productions. From T-Men to The City That Never Sleeps to I, the Jury, and about two dozen others, the work of the actresses, the effects and the stories were all special to me. I've got incredible appreciation of the female form and character (especially in a short skirt, tight sweater and nylon stockings!), but I'm not into porn or brutalizing females in one of the many fashions that are depicted these days. That seems to be what an increasing number of customers want, but it just didn't work for me.
The old film noir movies had incredible acting, but no bullet holes and blood, so I tried to fill in the gaps. Just finding the right way to make a bullet hole was a two year process, with lots of different experimental approaches along the way. Finally, I think I got it exactly right with the latest versions, and I'm pleased to see that some other producers have adopted the technology. The right formulation of bloods for fabrics, skin, mouth and refreshing wounds was a similar quest.
My stuff was bloody, which didn't fit everyone's tastes, but it certainly worked for a core audience, and I was incredibly grateful for their support. In the final event, the interests of the community are so varied, that one can't serve all the customers at the same time. From gun fun to buckets of blood, it was quite a spread!
And in the same vein, something produced from one creative perspective just didn't attract the dollars of customers who prefered another style and who had many, many other choices, which meant the revenues per film were so much lower than the old days.
So, my thanks to Hank for a great ride and education over the past five years. It was fun. I'll stay on the boards and comment from time to time, and will maintain the greypantherfilms@yahoo.com e-mail address if anyone wants to shoot the breeze with me from time to time. I love you guys and gals!
/tommygun
But these days there are so many producers putting out so much product that it is hard to get the volumes of sales on individual productions needed to cover the costs when you're a junior partner, the biggest one being the 40 cents out of every dollar that NicheClips takes. (Genre Videos is much more positive for the producers, but their volumes are just at the beginning of the market curve right now. Support Blue's venture in every way you can, folks, because it puts a lot of extra cash into the hands of the producers who will turn it into better films.)
I must admit that co-producing, directing and editing was a labor of love in many respects, which is why I tried to emphasize the quality of story, wardrobe, acting and special effects in the productions. From T-Men to The City That Never Sleeps to I, the Jury, and about two dozen others, the work of the actresses, the effects and the stories were all special to me. I've got incredible appreciation of the female form and character (especially in a short skirt, tight sweater and nylon stockings!), but I'm not into porn or brutalizing females in one of the many fashions that are depicted these days. That seems to be what an increasing number of customers want, but it just didn't work for me.
The old film noir movies had incredible acting, but no bullet holes and blood, so I tried to fill in the gaps. Just finding the right way to make a bullet hole was a two year process, with lots of different experimental approaches along the way. Finally, I think I got it exactly right with the latest versions, and I'm pleased to see that some other producers have adopted the technology. The right formulation of bloods for fabrics, skin, mouth and refreshing wounds was a similar quest.
My stuff was bloody, which didn't fit everyone's tastes, but it certainly worked for a core audience, and I was incredibly grateful for their support. In the final event, the interests of the community are so varied, that one can't serve all the customers at the same time. From gun fun to buckets of blood, it was quite a spread!
And in the same vein, something produced from one creative perspective just didn't attract the dollars of customers who prefered another style and who had many, many other choices, which meant the revenues per film were so much lower than the old days.
So, my thanks to Hank for a great ride and education over the past five years. It was fun. I'll stay on the boards and comment from time to time, and will maintain the greypantherfilms@yahoo.com e-mail address if anyone wants to shoot the breeze with me from time to time. I love you guys and gals!
/tommygun